Law

Lisa Franziska Lueg

Teleologische Theorien des Urheberrechts

Der angloamerikanische Urheberrechtsdiskurs zwischen Rechtfertigung und Rechtskritik

[Teleological Theories of Copyright Law. The Anglo-American Discourse on Copyright Law between Justification and Legal Criticism.]

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Published in German.
The principles and policies underlying copyright law have never had a broader societal impact, and have never been more contested than today. As a consequence, contemporary Anglo-American copyright theory draws on political philosophy to propose new and more fertile analytical frameworks for justifying and criticizing copyright law based on concepts such as the safeguarding of democratic discourse, fairness, autonomy and the promotion of human flourishing.
The principles and policies underlying copyright law have never had a broader societal impact, and have never been more contested than today. As a consequence, contemporary Anglo-American copyright theory draws on political philosophy to propose new and more fertile analytical frameworks for justifying and criticizing copyright law based on concepts such as the safeguarding of democratic discourse, fairness, autonomy and the promotion of human flourishing.
Authors/Editors

Lisa Franziska Lueg Geboren 1989; Studium der Rechtswissenschaften in München und Salamanca; 2013 Erste juristische Prüfung; 2014 LL.M.-Studium an der University of Cambridge, Trinity College; Referendariat am Kammergericht Berlin; 2016 Zweite Juristische Prüfung; wissenschaftliche Mitarbeiterin an der LMU München und der Humboldt-Universität zu Berlin; 2017/2018 Visiting Researcher an der Harvard Law School; 2021 Promotion; seit 2021 Rechtsanwältin in Berlin.

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