Alice Struve-Urbanczyk

Die kollektive Wahrnehmung von Musikrechten (1903-1938)

Der Handel mit Musikrechten von der Schaffung unternehmerischer Strukturen bis zum staatlich kontrollierten Monopol
[The Collective Management of Music Rights (1903-1938). The Trade in Music Rights from the Creation of Entrepreneurial Structures up to the State-Controlled Monopoly.]
2022. XVIII, 329 pages.
DOI 10.1628/978-3-16-159573-8
Published in German.
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Summary
Alice Struve-Urbanczyk explores how collecting societies for copyrighted music developed in Germany between 1903 and 1938. She focuses on the founding of such societies for musical performance and mechanical reproduction rights and the creation of a legal monopoly for the management of rights to music during National Socialism.

Geistiges Eigentum und Wettbewerbsrecht (GEuWR)