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Max Tretter

Hip-Hop bei Black Lives Matter-Protesten

Eine theologisch-ethische Auseinandersetzung mit ästhetischen Artikulationsformen in der Öffentlichkeit
[Hip-Hop at Black Lives Matter Protests. A Theological-Ethical Examination of Aesthetic Forms of Articulation in the Public Sphere.]
2025. Approx. 420 pages.
Perspektiven der Ethik (PE)
DOI 10.1628/978-3-16-164365-1
Published in German.
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Summary
Hip-Hop is the soundtrack of Black Lives Matter protests, evident in scenes where songs from the genre are played and sung throughout the protests. Max Tretter adopts an interdisciplinary approach to create a framework for precisely assessing the impact of such aesthetic expressions in public and for taking grounded normative positions on them.

Perspektiven der Ethik (PE)